Guide To Digital Photography

Great rainforest photography is like all nature photography. You get the best results when you concentrate on nature and light, not on technology. Yes, you need a decent camera, and you must know how to use it. But results in rainforest photography are not about the price tag on your camera. If you have a tripod, and a camera that allows you to adjust the aperture and shutter speed, you are set to go.

I make my living from nature photography, including a lot of rainforest photos, and I have never relied on the latest equipment for my work. Great rainforest photography is simply about finding an eye-catching subject, in good light, and having a creative eye for composition.

Note: The following tips are for photos of rainforest scenes, not for close-up photos of leaves, fungus etc.

Rainforest Photography Tip #1: Choose a subject. As they say in the classics, “It’s a jungle out there.” In the rainforest, you are confronted with foliage, branches, roots, rocks, vines…in your face and all around you. A really good rainforest photo requires structure, to make some visual sense of all that clutter. Look for something that is immediately eye-catching – a big tree that dominates the trees around it; a root system that leads the eye; a waterfall or stream; in short, something that you can build a composition around.

Rainforest Photography Tip #2: Use the best natural light. The mistake almost everybody makes at first is to take their rainforest photos on a bright sunny day when they are in the mood for a walk. Wrong! In full sunlight, the rainforest becomes a patchwork of light and shade that is impossible to expose properly. What you need is a cloudy day, when the light is much more even. Misty weather adds even more atmosphere to the rainforest, and can add a mysterious character to your rainforest photo.

Do not use a flash. The flash illuminates the scene with flat, white light, eliminating the gentle play of natural light and shade that gives the rainforest its character. Always use the natural light.

Rainforest Photography Tip #3: Carry a tripod. Taking your rainforest photo under a heavy tree canopy, on a cloudy day (see rainforest photography tip #2), means the level of light will be very low. You may be shooting at shutter speeds as slow as one or two seconds. You will always need your tripod, and it is best to avoid windy days so that the scene is as still as possible.

Rainforest Photography Tip #4: Use a wide-angle lens (or a zoom lens, zoomed back to its widest angle). The wide angle lens has several advantages for rainforest photography. Firstly, it exaggerates the sense of perspective in a photo, creating a sense of three dimensional depth. Viewers of your photo will feel like they are looking not just at a rainforest, but into it. Secondly, the wide-angle lens has a naturally wide depth of field. With so much detail all around you, it is important that you can keep both the foreground and the background in focus.

Rainforest Photography Tip #5: Stay on the path. There are some practical reasons for staying on the path when bushwalking. You minimize the possibility of getting lost, injured, or fined by some over-officious park ranger. The people who run the national parks are not stupid. They know what you want to see, and design their trails accordingly. Sticking to the path will not rob you of any great photo opportunities.

In terms of rainforest photography, you are able to create some distance between you and the foliage around you. It is much easier to photograph a tree when you don’t have the branch of another tree in your face. By staying on the path, you can get a clear view of your subject, without interference. You can even use the path as part of the composition in your rainforest photo. It is an excellent way of inviting the viewer to join you on your walk in the rainforest.

So there you have my five rainforest photography tips. Notice they concentrate on light and creativity, not on fancy techniques or equipment. You can make great improvements in all your nature photography this way, regardless of what type of camera you have.

Beginners in digital photography around the world are eager to learn to take better photos with their digital cameras. Are the courses, workshops and ebooks on offer teaching what they need to know?

A few years ago, I wrote an ebook to teach beginners the basics of good photography. You know, aperture, shutter speed, depth of field, lighting, composition; the kind of things that are the stock-in-trade of any experienced phogographer. In recent times, I have been amazed at the increasing number of people eager to get their hands on this type of information.

With the internet seemingly taking over the world, and the explosion in availability of books, ebooks and courses on just about every subject, why is it so hard for a new photographer to find out how to use their camera? It’s a mystery for the modern age, but I think I may have found the answer.

If a person has a bad experience, especially if that experience cost them hard-earned dollars, they will tell others. And what they are telling me is that they are NOT HAPPY with most of the photography courses and guides on offer.

Many courses and workshops advertising ‘digital photography’ have little or nothing to do with actual photography. That’s right, you can sign up to learn the skills of better photography and not learn one thing about taking better photos.

Instead, what you get is a workshop on digital imaging, or photo editing. How to fix up your bad photos, how to superimpose rainbows and birds into your landscapes and how to remove freckles and pimples from your portraits. How to use software which, in many cases, the customer doesn’t have, doesn’t want and possibly can’t afford.

Are these useful skills? Of course they are, but they are not photography. At best, they are secondary skills that enhance the creative possibilities of photography, for people who choose to go down that path. This does not include everybody.

The result could be a generation of ‘photographers’ who know more about fixing up their mistakes on a computer than about taking good photos in the first place.

If a customer pays you to teach them photography, they have a right to expect that they will learn how to use a camera. If they want to learn about computer software, they will buy a different ebook, or sign up to a different course. If you take their money, then sit them in front of a computer for three days, you have not given them what they paid for. If your customer asks for their money back – so they should.

I could take a pessimistic view, and think that some photographers have become so lazy, so unskilled, that they really believe digital manipulation is more important to photography than skill with a camera. I prefer to think that the customers I have spoken to have just been the victims of misunderstandings and poorly worded advertising.

Whichever is the case, customers beware! Before you hand over your money, find out exactly what you are signing up for. If you want to learn to be a better photographer, make sure the course, workshop, or ebook is about using your camera, not just a computer. If software is a component of the course, terrific – you are getting a well rounded look at the world of photography. If it is the only component, shop around; there are still people out there who want to teach what you want to learn.

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Photography is a hobby that many not only enjoy, but have adopted as a profession earning money from some of the great photographs produced using acquired photography skills. Becoming a great photographer requires at least three essentials: practice, technical know-how, and an artistic eye.
Below are a few simple guidelines to assist beginners to move in that direction.
1. Choose the right camera
For a photographer, the camera is a significant part of life and separation from it can leave a photographer feeling almost as if physically disabled. Choosing the right camera is critical for taking great pictures. There are a wide variety of cameras available on the market, all within various price ranges. As with just about anything in life, a good quality camera will be more expensive.
The common types of cameras follow:
I. Disposable camera
II. Compact camera
III. Digital camera
IV. Single Lens Reflex camera (SLR)
It is advisable that beginners not spend too much initially on a camera. That advice is because the higher priced ones typically include features that are only useful for experts already familiar with their benefits. Try using a camera like Pentax, Canon, or Minolta. These types of cameras take pictures with almost as good quality as the expensive ones.
2. Select a suitable lens
There are two types of lenses that will meet the needs of a person just beginning in photography. They include 28mm to 80mm and 80mm to 270mm. Within those two broad categories are macro, zoom, and wide-angle lenses.
3. Film types
The type of film selected is also very important. You will want a good quality film both for the beauty of the picture and also for longer-term storage. Of course, you can select between color film or black and white.
4. Consider film speed
Generally, faster films are the ones with the higher ISO number. Typically fast ISO films are used to capture quick movements, such as birds or sports players in action. It is also used to take pictures when the preferred amount of light is not available. If plenty of light is available, then a 100 or 200 ISO film will work great.
5. Color balance
Always consider the type of light under which you plan to shoot. Film is very sensitive to light colors. If the film doesn’t match with the light, then unfortunately the colors in the pictures after development will be a mess.
Photography as a hobby is not limited by age groups. Whether young or old, anyone can find enjoyment in it. To become a great photographer, take the time to learn proper techniques and develop your skills. The guidelines above will assist you to begin producing pictures that over time may amaze even you!
6. Photographing People
The job of a good photographer is to capture their subject’s best moments, such as when they are truly at ease and not actually trying hard to “act natural” in front of a camera – usually a prescription for capturing a horrible pose.
A photographer should also make sure the people in the pictures look as natural as possible. A great picture will bring out the innate personality and beauty of the subject – rather than serving as an attempt to create what isn’t really there.